Once we went inside, we descended four stories to D-zero's control room. He did a shift change procedure (it reminded me a little of a new captain taking control of one shift of a battleship's operations). He explained some things to us and we got footage of him going about his business. At one point they had to stop the detector and start it again, which is a standard procedure which happens every four hours, and involves the main engineer ringing a little bell and announcing "Detector Stop!" About 60 seconds later, he rings the bell and says "Detector Start!" It was a little humorous: here they are, surrounded by unfathomable technology, and they've got a little "ring bell for service" type dinger on the desk that he taps lightly with his hand. Of course, I had Stef get a close up of the bell ringing. I loved the irony there. Plus the engineer seemed to get a kick out of that tiny act of low-tech physicality.
Dr. Bernardi gave us one of the best moments yet on tape, in my opinion, in terms of the science leg of our story: the actual search for the Higgs boson. It came when we were asking him about the different screens, monitors, and displays flashing all around the room. I pointed to a big one with what looked like a 3D-bar graph on a giant 30-inch TV monitor. About once per second, the graph changed. Sometimes there were a couple of different tall lines, and sometimes there were dozens of multi-colored bars, short and tall. It was hypnotizing. Dr. Bernardi's eyes lit up.

"Oh, that one," he said, "that's what the detector is seeing. Each spike is a collision." He pointed at the screen. "When there are two or three large spikes like this, that's good. That's two or three discrete events. That's good data." Then the graph changed to a multi-colored mess, with lots of different bars of all sizes. It looked complicated and fascinating.
"That's junk," he said. "Useless."
I asked him if he ever found himself just staring at that monitor, looking at the spikes, the collisions. "Yes," he said, smiling, "I've stared at this quite a bit. Maybe one of those spikes is the Higgs boson, you know?"
I had Stef shoot that screen in a few different ways, including a really tight close up, with the bars changing, for about a minute. The idea of the Higgs boson being one of those spikes really caught my attention, and I think it's one of the few visual, comprehensible (and even poetic) ways the audience can relate to this notion of a search. I found myself staring at that screen a long time.

No comments:
Post a Comment